A comprehensive guide to Blur’s complete discography and everything you should know about the band!

A comprehensive guide to Blur’s complete discography and everything you should know about the band!

If you’re a fan of British rock music, then you’ve probably heard of Blur. Formed in 1988, Blur quickly became one of the most influential and successful bands of the 1990s. With their catchy hooks, clever lyrics, and eclectic sound, they captured the attention of music lovers all over the world.

Blur’s discography is a treasure trove of musical gems, spanning over two decades. From their early indie-pop days to their experimental and genre-defying later works, their albums showcase the band’s evolution and artistic growth. In this guide, we’ll take a journey through Blur’s official discography, exploring their most iconic and noteworthy releases.

Blur’s debut album, “Leisure” (1991), introduced the world to their unique blend of indie rock and Britpop. Songs like “There’s No Other Way” and “Bang” showcased their infectious energy and knack for writing catchy hooks. The album received critical acclaim and laid the foundation for Blur’s future success.

Their second album, “Modern Life Is Rubbish” (1993), marked a turning point in Blur’s career. Influenced by the growing Britpop movement, the album showcased a more focused and introspective sound. Songs like “For Tomorrow” and “Chemical World” demonstrated the band’s ability to tackle social issues with wit and intelligence.

Blur’s third album, “Parklife” (1994), is arguably their most iconic release. Featuring hits like “Girls & Boys” and “Parklife,” the album captured the essence of 1990s Britain with its observations on class, youth culture, and suburban life. “Parklife” catapulted Blur to superstardom and solidified their place in music history.

All you need to know about Blur: A guide to their official discography

All you need to know about Blur: A guide to their official discography

If you’re a fan of the iconic British rock band Blur, you’re in luck! This comprehensive guide will walk you through their official discography, from their early releases to their latest projects.

Before we dive into their discography, it’s worth mentioning Project Blur. It’s an exciting initiative that focuses on the band’s non-fungible tokens (NFTs), allowing fans to own unique digital collectibles related to Blur’s music and artwork.

Now, let’s explore Blur’s discography. The band’s debut album, “Leisure,” was released in 1991 and showcased their alternative rock sound. It features hits like “There’s No Other Way” and “She’s So High.”

Blur’s second album, “Modern Life Is Rubbish,” was released in 1993 and marked a shift in their musical style. The album’s songs, such as “For Tomorrow” and “Chemical World,” highlighted their introspective lyrics and Britpop influences.

In 1994, Blur released their breakthrough album, “Parklife.” This critically acclaimed record cemented the band’s place in Britpop history with songs like “Girls & Boys,” “Parklife,” and “End of a Century.”

Their subsequent albums, “The Great Escape” (1995) and “Blur” (1997), further solidified their status as one of the leading bands of the Britpop era. These albums contain hits such as “Country House,” “Beetlebum,” and “Song 2.”

Blur’s experimentation continued with their next album, “13,” which showcased a more introspective and experimental sound, with tracks like “Tender” and “Coffee & TV.” This album pushed the boundaries of their previous Britpop sound.

After a break, Blur made a triumphant return with their album “Think Tank” in 2003, which saw them exploring more diverse musical styles, including electronic and world music influences. “Out of Time” and “Crazy Beat” are standout tracks from this album.

In addition to their studio albums, Blur has also released several compilation albums and live recordings, such as “Midlife: A Beginner’s Guide to Blur” and “Live at the Budokan.”

So whether you’re a dedicated Blur fan or someone looking to explore their music, this guide to their official discography will surely be a helpful resource. And don’t forget to check out Project Blur for an exciting new way to connect with their music and art!

About Blur

About Blur

Blur is an English rock band formed in London in 1988. The band consists of lead vocalist Damon Albarn, guitarist Graham Coxon, bassist Alex James, and drummer Dave Rowntree. Blur’s sound is characterized by their eclectic mix of musical styles, ranging from Britpop and alternative rock to indie and electronic music.

Blur achieved mainstream success in the mid-1990s with albums like Parklife (1994) and The Great Escape (1995), which solidified their position as a prominent Britpop band. Their music often explores themes of British life, societal issues, and the struggles of fame.

The band’s discography consists of eight studio albums, with their debut album Leisure released in 1991. Some of their other notable albums include Blur (1997), which saw the band exploring a more experimental sound, and 13 (1999), which showcased a darker and more introspective side of the band.

Blur’s music has had a significant impact on the British music scene and has influenced numerous bands and artists. Their energetic live performances and catchy melodies have made them a beloved and enduring presence in the music industry.

Formed in the late 1980s

Formed in the late 1980s

Blur was formed in the late 1980s by Damon Albarn, Graham Coxon, Alex James, and Dave Rowntree. The band first started playing together while they were students at Goldsmiths, University of London. They quickly gained a following in the indie music scene and released their debut album, “Leisure,” in 1991.

Blur’s early sound was heavily influenced by the British indie and shoegazing genres of the time. Their music was characterized by catchy pop melodies, distorted guitars, and introspective lyrics. They gained popularity with songs like “She’s So High” and “There’s No Other Way,” which showcased their unique sound.

Throughout the 1990s, Blur’s sound evolved and they became one of the pioneers of the Britpop movement, alongside bands like Oasis and Pulp. They released a series of critically acclaimed albums, such as “Modern Life Is Rubbish,” “Parklife,” and “The Great Escape,” which cemented their place in British music history.

Despite their success, Blur’s relationship as a band became strained during the late 1990s. This resulted in a change in their musical direction with the release of their self-titled album in 1997, which experimented with lo-fi and electronic influences. The lead single from the album, “Song 2,” became one of their most popular songs and a rock anthem.

In the early 2000s, Blur took a hiatus, and its members pursued solo projects. They later regrouped and released their final album, “The Magic Whip,” in 2015. The album was well-received and marked a return to the band’s earlier sound. Since then, the members of Blur have focused on their individual projects, but they have not ruled out the possibility of working together again in the future.

Blur’s Early Years

Blur's Early Years

Blur’s early years marked the beginning of their journey to becoming one of the most influential and successful British bands of the 1990s.

Formed in London in 1988, the band originally consisted of Damon Albarn (vocals, keyboards), Graham Coxon (guitar), Alex James (bass), and Dave Rowntree (drums). Their sound during this period was heavily influenced by the emerging Britpop and indie rock scenes.

The band released their debut album, “Leisure,” in 1991, which failed to gain significant commercial success but laid the foundation for their future sound. The album featured catchy, upbeat tracks like “She’s So High” and “There’s No Other Way.”

In 1993, Blur released their critically acclaimed second album, “Modern Life Is Rubbish.” This album marked a shift in their musical direction, highlighting their passion for Britain and their disdain for American influence. The album explored themes of British culture and identity, and tracks like “For Tomorrow” and “Chemical World” showcased the band’s evolving sound.

Blur’s third album, “Parklife,” released in 1994, catapulted the band to mainstream success. The album became a defining moment for Britpop, with its blend of catchy pop hooks, social commentary, and a distinct British attitude. Singles like “Girls & Boys,” “Parklife,” and “To the End” became anthems of the era and solidified Blur’s status as one of the leading bands of the Britpop movement.

In 1995, Blur released their fourth album, “The Great Escape,” which continued their exploration of British themes and social commentary. The album showcased a more mature sound, with tracks like “Country House” and “Stereotypes” receiving significant radio airplay.

Blur’s early years laid the groundwork for their success and set the stage for their later, more experimental albums. Their blend of catchy pop hooks, cultural commentary, and distinctly British sound established them as one of the most influential bands of their time.

Leisure (1991)

Leisure (1991)

Leisure is the debut studio album by the English band Blur, released in 1991. It was recorded in late 1990 and early 1991, and produced by Stephen Street. The album features a mix of indie rock, shoegaze, and Madchester influences, and it helped establish Blur as one of the leading bands of the emerging Britpop scene.

The album received mixed reviews from critics upon its release but went on to achieve commercial success and became an influential album in the indie music scene. It reached number seven on the UK Albums Chart and spawned three singles: “She’s So High,” “There’s No Other Way,” and “Bang.”

Leisure showcases Blur’s early sound, characterized by catchy melodies, strong guitar riffs, and introspective lyrics. Despite being a debut album, it displayed the band’s talent for crafting memorable songs and hinted at the creative direction they would pursue in their later releases.

Notable tracks on Leisure include the energetic “She’s So High,” which became one of Blur’s signature songs, and the infectious “There’s No Other Way,” which became the band’s first top 10 hit in the UK. Other standout tracks include the dreamy “Bang” and the melancholic “Slow Down.”

Overall, Leisure marked the beginning of Blur’s journey and set the stage for their subsequent success. While the album may not be as polished or refined as their later efforts, it is still a significant release in their discography and an important milestone in the history of Britpop.

Modern Life Is Rubbish (1993)

Blur’s second studio album, “Modern Life Is Rubbish,” was released in 1993. This album marked an important shift in the band’s sound and lyrical themes, as they moved away from the sound of their debut album and embraced a more Britpop-oriented sound.

With this album, Blur experimented with different musical styles, drawing influence from 1960s British guitar pop, punk rock, and new wave. The album’s sound is characterized by catchy melodies, jangling guitars, energetic drums, and witty, observational lyrics.

“Modern Life Is Rubbish” features some of Blur’s most beloved songs, including “For Tomorrow,” “Chemical World,” and “Sunday Sunday.” These tracks showcase the band’s ability to blend catchy pop hooks with clever and sometimes satirical lyrics about life in modern Britain.

The album received critical acclaim upon its release, with many praising its musical diversity and clever songwriting. It was also a commercial success, reaching number 15 on the UK Albums Chart and spawning several hit singles.

Overall, “Modern Life Is Rubbish” is considered a landmark album in the Britpop movement and a defining moment in Blur’s discography. It showcases the band’s evolution as musicians and songwriters and remains a favorite among fans and critics alike.

Blur’s Mainstream Success

Blur's Mainstream Success

Blur is a British rock band that achieved significant mainstream success throughout their career. Their unique sound and innovative approach to music helped them stand out in the crowded music industry.

Blur’s breakthrough came with the release of their third album, “Parklife,” in 1994. The album featured hits like “Girls & Boys” and “Parklife,” which introduced the band to a wider audience. With its catchy melodies and witty lyrics, “Parklife” became a cultural phenomenon and solidified Blur’s place in the Britpop movement of the 1990s.

Following the success of “Parklife,” Blur continued to dominate the charts with subsequent albums. Their fourth album, “The Great Escape,” released in 1995, featured the hit singles “Country House” and “The Universal.” The album showcased the band’s versatility and incorporated various musical styles, further establishing Blur as one of the premier acts of the era.

In 1997, Blur released their critically acclaimed self-titled fifth album, often referred to as “Blur.” The album marked a departure from their previous sound, incorporating elements of alternative rock and electronic music. The lead single, “Song 2,” became an instant hit and remains one of Blur’s most recognizable songs to this day.

Blur’s mainstream success continued with their next album, “13,” released in 1999. The album featured the singles “Tender” and “Coffee & TV” and showcased a more introspective and experimental side of the band. Despite the departure from their traditional sound, “13” was well-received by critics and fans alike.

After a brief hiatus, Blur released their final studio album to date, “Think Tank,” in 2003. The album saw the band continuing to evolve their sound, incorporating elements of world music and electronica. Although the album did not reach the same commercial heights as their previous releases, it received positive reviews and demonstrated Blur’s willingness to push boundaries.

Blur’s mainstream success can be attributed to their ability to consistently reinvent themselves and create music that resonated with a wide audience. Their innovative approach to songwriting and willingness to explore different genres set them apart from their peers and cemented their status as one of the most influential bands of the 1990s and early 2000s.

Parklife (1994)

Parklife (1994)

Parklife is the third studio album by Blur, released in 1994. It is widely regarded as one of the band’s most successful and critically acclaimed albums.

The album features a mix of Britpop, indie rock, and alternative rock influences, and became a quintessential representation of the Britpop movement that dominated the mid-1990s music scene in the UK.

Parklife marked a shift in Blur’s sound, moving away from the shoegaze and lo-fi influences of their previous albums and embracing a more polished and accessible sound.

The album includes some of Blur’s most well-known and beloved songs, including the title track “Parklife”, which features guest vocals from actor Phil Daniels, as well as the hits “Girls & Boys” and “End of a Century”.

Other standout tracks on the album include the anthemic “This Is a Low”, the upbeat and catchy “Tracy Jacks”, and the melancholic “To the End”, which features guest vocals from French singer Françoise Hardy.

Parklife received widespread critical acclaim upon its release, with many praising its catchy pop hooks, smart lyrics, and engaging storytelling. It was a commercial success as well, reaching number one on the UK Albums Chart and earning Blur their first Mercury Prize nomination.

The album’s iconic cover art, featuring a photograph of a park with the album’s title in bold letters, has become closely associated with Britpop and is often considered one of the most recognizable album covers of the 1990s.

Overall, Parklife solidified Blur’s place in the Britpop movement and remains a beloved and influential album in their discography.

The Great Escape (1995)

The Great Escape (1995)

The Great Escape is the fourth studio album by the British band Blur, released in 1995. It followed the success of their breakthrough album, Parklife, and showcased the band’s continued growth and experimentation.

The album features a mix of different musical styles, including Britpop, alternative rock, and even elements of baroque pop. It includes some of Blur’s most well-known songs, such as the infectious and anthemic “Country House” and the catchy “The Universal.”

Lyrically, The Great Escape explores themes of British culture and social commentary. Damon Albarn’s lyrics often depict the mundanity and escapism of everyday life, with a mix of satire and introspection.

While The Great Escape received positive reviews from critics upon its release, it was also met with some mixed reactions due to its ambitious scope and the band’s experimentation. Despite this, it reached number one on the UK Albums Chart and was a commercial success.

Overall, The Great Escape is an important album in Blur’s discography, representing a pivotal moment in the band’s career. It showcases their ability to create catchy pop songs while delving into more complex themes, solidifying their status as one of the leading bands of the Britpop era.

The Experimental Phase

During their career, Blur went through a distinct experimental phase, exploring new sounds and pushing the boundaries of their music. This period can be seen as a departure from their earlier Britpop sound, as the band ventured into more experimental and avant-garde territories.

One notable album from this phase is “13”, released in 1999. This album marks a shift in Blur’s sound, with a heavy focus on electronic and experimental elements. The band collaborated with producer William Orbit to create a sonic landscape that incorporated elements of trip-hop, lo-fi, and experimental rock. Tracks like “Tender” and “Coffee & TV” showcase the band’s willingness to experiment with different musical styles.

Another album that exemplifies Blur’s experimentation is “Think Tank”, released in 2003. This album takes a more electronic and hip-hop influenced approach, featuring collaborations with producers such as Fatboy Slim and Norman Cook. The result is an eclectic mix of genres, with songs like “Out of Time” and “Crazy Beat” displaying a more experimental side to Blur’s music.

Throughout this experimental phase, Blur’s lyrics also took on a more introspective and abstract tone. Damon Albarn’s songwriting delved into deeper and more personal themes, reflecting the band’s artistic evolution. Songs like “No Distance Left to Run” and “Good Song” showcase this introspective style, as Albarn explores themes of love, loss, and self-reflection.

While this experimental phase was met with mixed reviews from critics and fans, it solidified Blur’s reputation as a band willing to take risks and push the boundaries of their music. This period of musical exploration showcased the band’s artistic growth and contributed to their legacy as one of the most influential and innovative acts of the 90s and early 2000s.


How many albums has Blur released?

Blur has released a total of eight studio albums.

What is Blur’s most popular album?

Blur’s most popular album is “Parklife”, which was released in 1994.


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